14th and 15th century Florentine Art, with a particular emphasis on religious and devotional imagery, the relationship between religious belief and representation, text and image, hagiography and iconography, and representation and gender.
Victims or Viragos? Women in Late Medieval and Early Modern Europe 4, ed. Christine Meek and Catherine Lawless (Dublin: Four Courts Press, 2005)
Pawns or Players? Women in Late Medieval and Early Modern Europe 3, ed. Christine Meek and Catherine Lawless (Dublin: Four Courts Press, 2003)
‘Myth, Ritual and Orthodoxy at San Marco: Cosimo de’ Medici and His Saints’, Cultural and Social History: The Journal of the Social History Society, vol.2, no.3 (2005), pp.274-299.
‘Women on the Margins’, in Pawns or Players? Women in late Medieval and early Modern Europe (Dublin: Four Courts Press, 2003), pp.111-130.
‘”Widowhood was the Time of Her Greatest Perfection”: Sanctity, Gender and Florentine Art’, in Widowhood and Visual Culture in Early Modern Europe, ed. Allison Levy (Aldershot and Burlington: Ashgate, 2003), pp.20-39.
‘A Widow of God? Saint Anne and Representations of Widowhood in Fifteenth-Century Florence’, Women in Renaissance and Early Modern Europe, ed. Christine Meek (Dublin: Four Courts Press, 2000), pp.15-42
Art, Devotion and Society in Renaissance Europe
Research Methods and Sources in the History of Art
Art, Enlightenment and Ideas of the Modern
Body, Piety and Imagery in Medieval Art